Carlson: A little further to the right, Tom.
Tom: Is this OK?
Carlson: Good. What do you think, Richard?
Richard: I like it there.
Richard: It's the first thing people will see when they come in.
Richard: It sets the tone for the whole show.
Carlson: The next thing they'll see is this enlargement with the words Family Album, U.S.A.
Richard: I can't believe this is really happening!
Carlson: You've earned it. Years of work went into these pictures.
Richard: I know, but it's still a dream come true.
Carlson: Well, remember, we're not sure what the critics are going to write about your show yet.
Carlson: And you never know what the man from the New York Times is going to say about it.
Richard: Are you worried?
Carlson: I always worry.
Carlson: The reviews of this show are important for the sales of your book.
Richard: When do we see the reviews?
Carlson: Soon. One of the critics is coming over this morning for a preview.
Carlson: I hope he's in a good mood.
Richard: So do I.
Richard: Marilyn and I hope to use money from the sales of this book to buy a new house.
Carlson: The book will be a success. And the show will help promote it.
Carlson: Speaking of promoting the book, do I really have to autograph copies for the guests at the opening?
Carlson: It's common practice.
Richard: I feel uncomfortable about it.
Carlson: A lot of people come to openings just so they can get the autograph of somebody who may be famous someday.
Richard: Couldn't we wait until I'm famous?
Carlson: That might be sooner than you think.
Tom: This one over here, Mr. Carlson?
Carlson: A little further back, Tom. It's too close to the refreshments.
Richard: No, I think this one belongs in the "people-at-work" section.
Carlson: You may be right. Try it there, Tom.
Tom: Right.
Carlson: Nervous about the opening tonight?
Richard: Nervous? Me? No. I'm scared to death.
Carlson: How about guests? How many people will you be bringing?
Richard: Well, my family, I guess.
Richard: My wife Marilyn, my father and mother, my brother Robbie,
Richard: my sister and her husband and their daughter. And my grandfather.
Richard: Is that too many?
Carlson: No such thing as "too many" at an opening.
Richard: I hope they like it.
Carlson: Your family or the public?
Richard: Everybody. But especially my family.
Richard: They've stood by me through all this.
Carlson: I'm sure they'll like it.
Carlson: Harvey, how are you?
Mitchell: Mitchell, so nice of you to come.
Carlson: Richard, this is Mitchell Johnson.
Carlson: Mitchell is one of the most important syndicated reviewers in the country.
Mitchell: Well, you're the young man who did all this.
Richard: I'm afraid so. Nice to meet you.
Mitchell: Nice to meet you, Mr. Johnson.
Carlson: Mitchell has always encouraged new talent.
Mitchell: Well ... you mind if I look around and see what it says to me?
Carlson: Be our guest.
Mitchell: Mm-hmm, hmm, uh-huh. Mm-hmm, hmm, uh-huh.
Richard: What does that mean when he goes, "Mm-hmm, mm-hmm, mm-hmm"?
Carlson: It probably means he's clearing his throat. I don't know.
Tom: I don't care what the critics say, Mr. Stewart.
Tom: Your work is brilliant.
Richard: Thank you, Tom.
Richard: Tom is studying photography at NYU.
Richard: He's working with me during the summer months as an intern.
Carlson: Oh, really? I'd like to see your work.
Tom: It's not good enough to show. I'm still learning.
Richard: Oh, I'd still like to see your work.
Richard: You may be the next Ansel Adams and not even know it.
Tom: If you really mean it, I'll bring some of my pictures into the gallery.
Richard: I do mean it.
Mitchell: Very interesting pictures, Mr. Stewart. You have a most unusual eye.
Richard: Thank you. I hope that's a compliment.
Mitchell: It is.
Carlson: Are you going to be reviewing the show, Mitchell?
Mitchell: Oh, yes. It's definitely worth reviewing.
Carlson: Favorably?
Mitchell: Oh, you know I never answer that question, Harvey.
Mitchell: I'd like an advance copy of the book, though, so I can study it.
Carlson: I have an autographed one in my office.
Carlson: Tom, would you give Mr. Johnson the copy of Richard's book on my desk?
Tom: Just follow me, Mr. Johnson.
Mitchell: Sure.
Richard: Do you think he liked my photographs?
Carlson: We'll know when tonight's papers come out.
Carlson: Keep your fingers crossed.